[Updated] Hans Zimmer MasterClass Review 2019: Is It Worth It?

Review
Summary
  • Review
  • Summary

8

Features

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Courses Material

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User-Friendly

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Ease-Of-Use

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Reliablility

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Music Class

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Pricing

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Advanced

Pros

  • Easy to use
  • World famous instructor
  • A Reliable music course
  • This course has 31 video lessons
  • Each lessons of 12 Minutes
  • Flexible Learning
  • Engaging Community
  • Comes with money back guarantee

Cons

  • Pricing of the course is little bit high
  • Beginners may find difficult to learn

Music composition in films is considered one of the biggest aspects. If not for good music, the film might prove to be a letdown as well. Music composition has been in the world as long as cinema has existed. It’s one of the technical aspects of it.

Music is something that you can relate to, it hits you right in the feels. But that has to do a lot with the fact that music has to be in accordance with the film and its concept.

Hans Zimmer MasterClass Review 2019: (Must Read Before Joining)

About Hans Zimmer

Hans Zimmer is one of the greatest music composers in recent times.

Ever since the 1980s, he has been giving his music, a part of his soul to the filmmakers and his music has been one of the biggest standpoints of the film as well. Music composition was never as fun as it is with Hens Zimmer scoring the background music. It becomes very important for a film to have the right kind of music to it because if that’s not the case, the movie has a great chance of falling flat on its face.

Hans Zimmer MasterClass

Hens Zimmer has scored for some of the greatest hits in the past few decades. Whether we talk about The Lion King, Pirates of the Caribbean, The Dark Knight and of course the most infamous background score of his, Inception, each film has done wonders at the box office and in the hearts of the people but what has stayed and glued to them is the background music of the film.

 

People can still memorize the music of all these films. In fact, the music score of these films has acted as an inspiration for a lot of other music composers from varied parts of the world.

Inception’s music has been channelized to different versions in so many films across the globe that you can easily call this film’s music a cult classic of its own. The film was a great thriller but what made it work even better with the people was its music score!

Hans Zimmer MasterClass

The MasterClass is an institute founded by Hans Zimmer himself where he teaches music scores for the films. Most of the filmmakers and film producers all across the globe do not understand what music to use in the film and how much music will be used.

There are various parameters to music. It’s not as easy as it might look. There are a lot of hurdles in making good music which has a good rhythm and suits the concept of the film as well. It’s not like you randomly produce music, there are a lot of aspects that need to be taken into account before a film comes out with its music.

The music is the backbone of a film. If the music isn’t good, no matter how amazing the storytelling or the acting is, you will find it difficult to cope up with the film. However, if the case is otherwise, you will root for the film easily and the film will itself catch your attention as well.

Hans Zimmer MasterClass

 

Masterclass shares the main aspects related to music for an economical price which anyone can afford who is interested in music and wants to score the music for the films.

Hans Zimmer is not only a good composer but a really good teacher as well. That’s why Masterclass becomes an even more effective tool for understanding music since Hens Zimmer will tell you the major aspects regarding music score in films in detail.

It will help you much more than anything else and you might even land somewhere with great music in a film down the road, one doesn’t even know his destiny anyway.

What to learn from Hans Zimmer Masterclass?

There are a lot of things that you can learn from Masterclass. When a music composer, who is as legendary as Hens Zimmer teaches you a thing or a couple, you can make a lot out of it for sure. Masterclass helps you not only grow as a music composer but it helps you to love music even more.

Hardly anyone in this world doesn’t connect to this music. Most people love music and they can feel the music and the intensity of the music.

Thus if you create the music stressing on the fact how much you love the music, it will be communicated without words to the audience who’s going to hear that music. Hens Zimmer explains how you need to feel the music. Not only do you have to feel the music from your own perspective but you need to feel the music from the audience’s perspective as well.

How much it is worth?

Masterclass features other legendary figures as well coming from the other professions of the world.

Hans Zimmer MasterClass Review

Serena Williams teaches tennis, Kevin Spacey teaches acting and Gordon Ramsey teaches cooking and so on and so forth. The entire pack is worth 15 dollars for all the lessons from various professions but if you want to subscribe just to Hens Zimmer and his music, it won’t cost you more than $3 to $4.

It’s a very decent price considering how much knowledge Hens Zimmer is going to share with you.

LESSONS IN MASTERCLASS

Masterclass has been divided into 31 different lessons. These lessons will help you to become a music composer or at least understand the music better which will also help in creating a product for you that you so very desirable.

HANS ZIMMER – MUSIC CLASSES Review - MasterClass Lesson Plan

HANS ZIMMER – MUSIC CLASSES Review - MasterClass Lesson Plan

The lessons will remove any sort of doubt in your mind and will remove all the obstacles in your way of becoming a music composer. The patience to go through all these lessons will prevail at the end of the day and you might be able to reap benefits of it as well.

Some of the most important lessons of Hens Zimmer’s Masterclass are as follows:-

  1. Making simple themes the very basic step in music composition is to create simple themes. Hens Zimmer tells you the importance of making a simple theme. If you don’t understand how to make a simple theme, how can you expect yourself to produce music at a grand stage with any fuss? That’s never going to be an easy situation for you since you might not even understand the basics of music. If you go through basics, only then can you create something which can make everyone go gaga about your work. To reach the top of the ladder, you need to make steps from the very bottom. That’s exactly how music composition works as well. You can’t straight away jump into a great composition. Once you make simple themes, you’ll be able to understand the music better. Once your doubts are clear, you can make any music regardless of what the genre of the film really is. Hens Zimmer stresses on the fact of making simple themes.
  2. Working with directors film is the baby of a director. When you make music for any kind of film, the importance of communicating with the director is second to none. Director will throw his notions at you and tell you exactly what he needs with the music. If you have detailed conversations with the director, you will be able to get the music in the right chord as well. Hens Zimmer has had some really good moments with his directors.With Christopher Nolan who’s considered one of the most brilliant directors in the entire world, he has worked on numerous occasions. He composed the music for The Dark Knight, Inception and Interstellar. Each film was a classic on its own and that had a lot to do with how Nolan and Zimmer approached each other and we’re comfortable with each others’ desires regarding the composition of the music in those films. One of the greatest strengths of this film is how well Zimmer worked with his director Christopher Nolan.
  3. Sound paletteSouth Palette refers to the board that music composer uses in order to mix the tone of the music in a film. It’s a technical work and to understand Sound Palette, you need to have proper knowledge of music. In this lesson, Hens Zimmer stresses on the fact how Sound Palette should be used. The tone of the music has to follow the tone of the film. If the tone of the film is a comedy and you produce intense music, it will be a haywire situation. Hence, it becomes important to understand the particular notions. Sometimes, the most important scenes of the film get ruined because the music was not according to the tone of the film.It has happened with a lot of directors and at the end of the day, they have no one else to blame but the music composers who could have done a better job with the music of the film. The tone of the music has a lot to do with the instrument you’re using for the film as well. It might be guitar, it might be drums, it might be vocals or it might be bass.
  4. As long as the instrument handles the music nicely, it doesn’t really matter which instrument you use. But the choice has to do a lot with your instincts regarding the film and Hens Zimmer tells you exactly that in this lesson. He believes you should have your own argument regarding what the film’s tone is so you can create your music accordingly!
  5. Film scores film score is basically the background music of the film. A film has music which has vocals and for a varied number of songs as well. But the more regular use of music is in the score of the film. Hollywood films barely have songs attached to it, they are more about the background score. Thus, a musician’s basic motive with his music is to score the background music in such a way that people can engage in the film and it also does justice to the type of the film and the tone of the film as well. If the film score is not done neatly, it lands the film with a hell lot of problems as people cannot connect to the film score.

Hens Zimmer

Hens Zimmer is an absolute genius in film score and he understands the exact use of it. In this lesson, he tells his own theories and principles regarding the film score and what music should be used for a particular kind of film.

  1. Understanding tempo:- Unless you understand the tempo of the film, it’s very hard to make the music as well. Hens Zimmer believes that no matter what your director says about the music he wants for the film, it’s on you at the end of the day to understand the tempo of the film. You need to have your own theories regarding the tempo. You need to feel the film and feel what should be the apt music for that sort of a film. If you fail in analyzing the tempo of the film, you’re going to fail all the way through even if you understand the clear instructions of your director. Once you understand the tempo, it is on your knowledge regarding music to channelize what you feel into what people hearing the music should feel as well. It’s a process that takes time but if people can understand it, the complexities surrounding music might drop down as well.
  2. Collaborating with orchestras:- Hens Zimmer stresses that every music composer has to understand is, he can’t make the music of the film all on his own. It has a lot to do with the people that surround him and how well he can use those people and their sense of music in order to create an everlasting impression. Thus, every music composer needs to walk up to orchestras according to his will and make them understand the way you want the film’s music to look like and further create an impression regarding the use of different instruments. A guitarist knows about guitar tunes more than anyone else, same for a guy who is a drummer. So you need to walk up to whichever instrument you want to use and convey the way you want your music to be. Collaborating with orchestras will make your music even more effective and will channelize even more senses into the capacity of it as well.
  3. Life as a composer:- Hens Zimmer feels that you need to know exactly how your life as a composer should be. The interests that you have should be noted down in the first place and you need to look into the future as well. You shouldn’t just be thinking about a film at a time but you should rather be focusing on what awaits you in the future as a music composer. It’s really a hard pill to swallow but Hens Zimmer feels if you want to become one of the greats in music, you need to think a lot more differently. Thinking differently doesn’t mean you completely escape from your usual personality as a music composer, it rather stresses the fact that you might be a great composer but there’s still a lot left in the tank. Usually, a music composer makes a good composition and then gets lost in the shuffle. The thing with music is, people hardly remember you. They will remember the director, the actor, the singer, the cameraman but music composers barely make a name for themselves. Thus, you cannot take one film at a time. You need to ensure the composition of that film makes room for a lot more films in the near future as well.

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CONCLUSION: Hans Zimmer MasterClass Review 2019 | Is It Worth Joining??

Music composition seems a lot complex on paper and it might even be the most complex on the film set but one thing is for sure, the music of a film makes or breaks a film. To give the credit that’s due to various composers scored the word, film composition fails 1 or 2 out of 100 times and that itself tells you how professional and efficient music composers are across the world.

Hans Zimmer  Masterclass, helps you grow not only as a music composer but as a part of the film making as well. He stresses on the fact that film is as much of yours as it is of a director.

If you feel that way, you will hardly have any problems regarding the composition. To have a great relationship on set with your director is very important and you need to understand his thinking process. Once you do that, you make up your own mind and produce the music.

People are very critical about the music of the film in today’s day and age.

If they like the music of a film, they let everyone know it. Hans Zimmer has seen those times when people have showered their love on him and his music. The hard work and dedication are a big part of any profession.

In music, it doesn’t differ much either. But music doesn’t physically hurt you, it’s the mental blocks of it which you need to get rid of as a music composer. Once you do that, the sky is the limit!

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