- PDF workbooks for every class
- Watch on your desktop, phone, or TV
- Download and watch offline
- Discovering Your Unique Voice
- Stretching Your Budget
- Directing Gestures
- Telling the Story: Monsoon Wedding
- Developing a Visual Palette
- Working With Your Cinematographer
- Sound and Music
- A Little Bit Expensive
This masterclass seems to be a conversation that will take you to an intimate table with someone. She meets her classmates, drinks, eats, and talks in the store.
In only seventeen videos that are shorter than most Masterclass options, I did not want them to end. With a duration of just over four and a half hours, I saw it in one session. You can even jump without problems.
All subjects are usually the same as the other classes. First, you will go through a series of lessons on idea searching, editing, budgeting, sound, and more.
There is not much that speaks of direct writing. Indirectly, Nair analyzes some writing tips that are distributed throughout the class.
The golden star of this class are the three workshops. We can see Nair decompose, go through a scene with the actors and the team and then finish with a final shot of the stage.
Personally, I would have liked more workshops. Since most classes can have between 20 and 30 classes in total, I would have wished that they give Mira Nair 3 more lessons to complete the workshop. Nair’s leadership approach is intimate, personal and spiritual.
This would have been a perfect way to see how she works with producers to see how she breaks down budgets and calendars, and with editors to be at the forefront of this creative and collaborative process.
David Rogier, CEO of MasterClass, said: “Since the release of” Mississippi Masala “in the early 1990s, Mira has produced independent films that transcend borders and cultures, captivating audiences with authentic and courageous stories.
She tells the stories she wants to tell as she pleases and asks her students to do the same. ”
MIRA NAIR MasterClass Review 2020: Is It Really Worth ??
Who is Mira Nair, the independent filmmaker?
Before this course, I had never heard of Mira Nair. Actually, she is very successful and well known.
In 2001, her film Monsoon Wedding won the Golden Lion at the Venice Film Festival. He was also nominated for a Golden Globe. Salaam Bombay! She was nominated for an Oscar. Her films really close the cultural gap with stars like Denzel Washington who want to work with her.
It is fair to say that she is a successful filmmaker. But this course makes it clear that she is still an independent filmmaker. For example, everyone came to monsoon wedding with their own dresses. Some of her actors, extras, and members of her team even bought their own accessories.
This is the innovative approach that is typical of this Indo-American filmmaker. With these ideas, tips, and tricks, I can recommend this course to anyone interested in a movie or video.
Strive to make really unique films.
Mira Nair first advice is to make your film unique. It does not make sense to just copy what was done before. Audiences around the world are demanding something new and new. So you have to give it to him.
It means exploiting who you are. Your life experiences, culture, language, beliefs. In short, everything that sets it apart from a large percentage of the rest of the world.
It’s easy to say. But it is not so easy to do. In her masterclass, Mira shows you how to overcome your aversion, find your voice, and create a memorable film that always attracts an important audience.
Mira explains how to find her voice, find ideas and have the courage to take the next step. Speak and use the film support to share your vision of the world with others.
Mira Nair is very practical. Active in your community, curious with an insatiable appetite to learn from all kinds of people.
She is not a fan of loans from other countries, she acts, she is not an observer. In this course, you will learn to be more curious and attentive to what is happening around you.
A habit that helps you to make interesting films and to reach a wider audience with your work.
How do I tell my story?
Mira Nair was born and raised in India but moved to America. He first studied at Harvard but decided to stay. Today she lives in New York.
So the films of Mira relate mainly to Indian society. However, they are intended for a global audience.
She knows how to close the gap between two very different cultures. How to make films so familiar that they are followed and understood by all viewers.
But she does not shake her audience. For example, she does not try to explain what the red spot in the middle of the Hindu forehead on her stage means.
She understands that most viewers do not want such explanations if this is not relevant to the story.
Your audience is interested in the story of this person, who she is, how she feels, and how she handles her situation. There are no cultural facts.
They are emotionally attracted to the character. That’s what keeps her busy and supervised.
Mira explains how to take advantage of the universality of man in order to appeal to the widest possible audience with her films.
Make sure you take the time to watch Video 11. In this video, she explains how she developed the story of her hit movie Monsoon Wedding.
How to make a movie on a budget.
Rejection encourages me, makes me feel good about doing something good. The same applies to limited budgets.
At first I was frustrated with this part of the course.
Mira Nair approach was to tell many stories about how she saved money by filming her films. I probably wanted a kind of checklist. But at the end of the video, I realized that Mira had taught me a lot about making a movie on a budget.
It’s too easy to be distracted by the fact that you work on a tight budget. Mira cleverly explains how she can avoid falling into this trap.
Show the value of careful planning. So make the most of every place and shoot. Not only do you need to know how to make difficult decisions about using money and the approach you should take, but also when things go wrong.
To start an independent film
Unfortunately, I also had problems with this section of the course. Casting is an important topic, so Mira Nair could not explain everything in a 16-minute video as expected.
Her advice was therefore quite general. It was more of an idea of what she thinks when looking for actors than the casting process.
If you, like me, need a more detailed teaching style, we recommend that you take the Jodie Foster Film Course as well. I did that and the boot process became much clearer when I combined what I learned from Mira and Jodie.
I bought the full access pass, which allowed me to take each of the 50 master classes over 50 without paying anything else. The costs are surprisingly low. If you buy only 2 master classes at the same price, you will have access to more than 50 courses.
How To Use Gestures To Make Movies.
This is another section where Nair offers a unique insight into an aspect of filmmaking that is rarely talked about.
The gestures are powerful. They tell a lot about a character, so they can be used in different ways to enrich the story.
It is impossible to explain how this Indo-American director does this simply with the written word. In order to use Mira’s knowledge of the use of gestures and facial expressions to improve her story, she has to prove the course.
Mira Nair MasterClass Review workshops
This part of the class is also a bit different from the other movie I did. It’s great to see her physically working with her actors to develop a scene. Explain what you need and how the character feels.
Whenever necessary, propose ways to convey these feelings through what they say, the tone of voice, the gestures, the facial expressions, and other signs of body language. It is really fascinating and very informative.
This section of the course is divided into three sections:
- The reading and locking process.
- Repeat the scene
- The last shot
Later, Mira Nair explains the mechanisms of staging (Video 13). I would suggest that you watch Video 13 after finishing the 3 videos of the Workshop. If you do, things will make more sense to you.
Get a good presentation of your movie
It is important to understand the elements that contribute to the overall appearance of your movie. That’s why Mira explains how to create a lookbook and offers you several innovative ways to share your vision with your cast and team.
Most of her comments are included in the workbook. But you better evaluate each suggestion while watching this video. This will help you find what you need later on.
I also suggest that you perform the exercise that is provided to you and create a simple-looking book for an idea of the story. In this way, you will learn how to find ideas by watching your film from all angles. For example, if you think about the score, you can select specific songs.
This, in turn, will stimulate your thought processes and allow you to offer more visual cues that you can use to present to your audience.
How to work with your cameraman
This is another topic that I have rarely seen in other courses: How do I find your cameraman and how do I work effectively with him? In this section, Mira goes into more detail about creating a scene. It covers important topics such as the perspective of the beholder and the lighting
Mira shows you how to use all kinds of visual cues to emotionally touch your audience. Possibilities to convey what your character thinks and feels without always having to use words.
- Understand the process of editing an independent movie.
- No matter what kind of movie you create, the editing process is critical.
- Here your creation is conceived in its final form.
If you work on a tight budget, editing is even more important. In general, you have to work with a lot less archive material, so you have to be creative.
Create the soundtrack of your independent movie.
It’s clear that the soundtrack is a key element of Mira’s films. She thinks about it from the beginning. In this section of the course she teaches you the following skills:
- How to use the sound to direct the eye and the heart.
- How to reconcile silence with sound.
- How to give your sound designer and composer the feeling you want to create
The current list of MasterClass courses includes:
Cooking: Gordon Ramsay (cooking), Alice Waters (home cooking), Thomas Keller (cooking techniques), Wolfgang Puck (cooking), Dominique Ansel (French pastry)
Film and TV: Werner Herzog (director), Martin Scorsese (director), Ron Howard (director), Helen Mirren (actor), Samuel L. Jackson (actor), Judd Apatow (comedy), Spike Lee (director), Ken Burns (Making documentaries), Mira Nair (making independent films).
Music and entertainment: Armin van Buuren (dance music), Christina Aguilera (vocals), Usher (performance), Reba McEntire (country music), Herbie Hancock (jazz), Deadmau5 (music production), Hans Zimmer (film notation), Steve Martin ( Comedy), Tom Morello (electric guitar)
Writing: James Patterson (writing), Aaron Sorkin (screenwriting), Shonda Rhimes (writing for television), David Mamet (writing), Judy Blume (writing), Malcolm Gladwell (writing), RL Stine (writing for teens)), Margaret Atwood (creative writing), Dan Brown (writing)
Design, photography, and fashion: Annie Leibovitz (photography), Frank Gehry (architecture), Diane von Furstenberg (how do I create a fashion brand?), Marc Jacobs (fashion design)
Sports and Games: Serena Williams (tennis), Stephen Curry (shooting, ball handling, and scoring), Garry Kasparov (chess), Daniel Negreanu (poker)
Politics, Economy, and Society: Jane Goodall (Conservation), Bob Woodward (Investigative Journalism), Karl Rove and David Axelrod (Politics), Paul Krugman (Economics and Society)
Science: Chris Hadfield (Space Research)
Who is the Mira Nair course for? | Mira Nair MasterClass Review
You can take multiple classes in the master class. Oscar winners such as David Lynch, Jodie Foster, Spike Lee, Ron Howard, and others have all masterclasses organized.
I have taken several and I can tell you that they are all fascinating in their own way. Of course, these courses are intended primarily for people who make films.
But as these directors are so famous, many people who have never thought of doing a film also want to follow their courses. It is very hard for her many fans to resist. It’s hard to resist the thoughts and hearts of these famous directors and their way of working.
This is not so much the case with Mira Nair. It is more factual and direct than other film courses. I would say it’s better for filmmakers than for famous observers.
This course would also be of great use to someone who is a writer or wants to become a writer. You can learn a lot about how to create a story and characters.
Pros and Cons
- The actor-director background creates a unique perspective
- Strong focus on how writers and directors collaborate
- Additional class materials and looks off camera give great context
- The example short film isn’t followed all the way from script to screen
- Examples are from Foster’s own films, not the most well-known or acclaimed
- Not a technical director, lessons center more around collaboration and people skills
Mira Nair MasterClass Review | Pricing Plans
There are two ways by which you can purchase a MasterClass, a single MasterClass and an All-Access Pass for any of the gurus on the platform.
- Single MasterClass: ₹7,775
- All-Access Pass: ₹15,550 per year
The All- Access Pass comes in real handy when you wish to take more than one MasterClass, so this means that there is no limit on the number of MasterClasses on the All Access Pass.
A 30-day money-back guarantee is also available for any of the Mira Nair MasterClass Review packages you purchase and you will get a complete refund of the amount in case you are not satisfied with their services.
Final thoughts: Is Mira Nair MasterClass Worth It? Mira Nair MasterClass Reviews
In the Mira Nair MasterClass review. we already said that it offers a different perspective on directing. As you might expect, there’s a great focus on actors and how to work with them. Structuring many of the lessons around developing a short film, even though it’s never made, is a great conceit.
This is far closer to participants’ experiences than making a big Hollywood film full of stars.
Mira is looking for publishers with good musical empathy. It sounds a bit strange, but if you go through this section of the course, you’ll quickly understand why this approach is really outstanding.
The tips for coexistence are excellent. When you write or interpret a movie, mixing two elements of the story is a delicate task that you need to master. Following Mira’s advice will greatly facilitate this part of the creative process.
This was our Mira Nair MasterClass Review 2020. Get the All-time access plan here.
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